Mutlu çerkez, Untitled,
photocopied pages,
frame, 1994
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Mutlu çerkez is
the one artist in Wall Drawings who has refused to
contribute work that relates to the architecture of the
200 Gertrude Street Gallery. Taking small design
fragments from his last solo show (a floor plan and a
page from the catalogue), çerkez
has framed them as autonomous objects that no longer
function as armature for a commercial exhibition. This
contraction of the past in cryptic art objects is a
familiar dynamic in çerkez's work.
Using abstract designs and aphoristic symbols, he indexes
experiences that have been lived in other times and
places. But having been extracted from their functional
context, the works now open themselves up to a future
where they might be recontextualized or drawn into new
narrative sequences. His works are singular coordinates
in the pliable present of decorama, contracting the past
and opening onto the future. |